Tag Archives: Ken Schaefer

Review: Prufrock Productions’ Equus

Show: EQUUS
Written by: Peter Shaffer
Location: Vero Voce
Director: Bill Barry Jr

Anyone that lives in the western suburbs of Chicago would know that Saint Charles is a hell of a hike for those of us that prefer to live closer to I-294 or I-355… so when a friend asked if I would be willing to accompany him to see a friend of his in this particular production I had to take a moment to think about it.

Why? Because the drive, naturally. I had no qualms about the show, casts, or production itself… but the drive was definitely a negative. Upon arrival however, my friend and I were looking forward to viewing such an intense show that really very few community groups would even consider as part of their repertoire.

From those that had the pleasure to see the show far earlier than I had, had nothing but praise for the production, so naturally I had high hopes… needless to say the cast and the production team did not disappoint. Prufrock Productions created a relatively new theatre group: Industrial Strength Theatre. From their online blog:

Finally, the bored [board] created industrial strength theatre, a not for profit, non-Equity, professional theatre group in DuPage County, whose main purpose is promoting education and exposure to the theatre arts by performing in the suburbs what is commonly called “Chicago storefront theatre”, producing the edgier works that are rarely given voice in those communities. The founding members are Bill Barry Jr (artistic director), Dennis Brown, Lisa Savegnago and Jennifer Skidgel.

Equus is more recently known as the production that had a little known movie star (Daniel Radcliffe) in the lead as the young 17-year old stable boy whose love for horses eventually led him to blind six horses in a fit of violent passion. From the original press release in regards to the production:

Dr. Martin Dysart, a child psychiatrist, is confronted with Alan Strang, a boy who has blinded six horses in a violent fit of passion. This very passion is as foreign to Dysart as the act itself. To the boy’s parents it is a hideous mystery; Alan has always adored horses. To Dysart, it is a psychological puzzle that leads both doctor and patient to a complex and disturbingly dramatic confrontation. This international success reached new acclaim in London and on Broadway when revived in 2008. Director Bill Barry Jr and members of industrial strength theatre lead the audience on this journey into the mind of a young man, whose passion and worship makes the examiner question his own life’s meaning.

The stellar casts include:

CHARACTER ACTOR
Dr. Martin Dysart Dennis Brown
Alan Strang David Rodriguez
Hesther Salomon Susan O’Byrne
Dora Strang Dawn Harkins
Frank Strang Ken Schaefer
Jill Mason Jennifer Torchia
Harry Dalton Steve Blount
Nugget/Horseman Michael Hab
Nurse Carly Vadnais

Needless to say, I was impressed with this production of Equus…
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Review: Natural Talent Productions’ Into the Woods

Show: INTO THE WOODS
Music and Lyrics: Stephen Sondheim
Book: James Lapine
Location: Natural Talent Productions
Director: Raegan Kotz
Music Director: Harrison Ashley

Straight from Music Theatre International:

An ambivalent Cinderella? A blood-thirsty Little Red Ridinghood? A Prince Charming with a roving eye? A Witch…who raps? They’re all among the cockeyed characters in James Lapine and Stephen Sondheim’s fractured fairy tale. When a Baker and his Wife learn they’ve been cursed with childlessness by the Witch next door, they embark on a quest for the special objects required to break the spell, swindling, lying to and stealing from Cinderella, Little Red, Rapunzel and Jack (the one who climbed the beanstalk). Everyone’s wish is granted at the end of Act One, but the consequences of their actions return to haunt them later, with disastrous results. What begins a lively irreverent fantasy in the style of The Princess Bride becomes a moving lesson about community responsibility and the stories we tell our children.

Stephen Sondheim’s Into the Woods was Natural Talent Productions third show at the Arcada Theatre (the first two being Little Shop of Horrors and Jesus Christ SuperStar). With the intent of having a Junior version of the show in the mornings and the original production on afternoons and evenings over the course of the weekends… a bit overkill in my opinion but I can understand the intent for the most part. Me and my friends that went with me all kind of agreed that a more effective way of using both the original production and the junior version would be to have the junior version be the matinee shows and the original production be the evening shows all over the course of the weekend. Would seem to make the most sense, but I digress.

Let’s start with the set, I was pleasantly surprised with what they decided to do for set pieces when introducing the characters… rather ingenious in a way. I really liked seeing the curtains open and you see three life-sized books there that actually open up to reveal the actors in their individual scenes, very well done. When the books closed and were moved off to the side I was a bit put off kilter when I saw the set for the actual “woods”. Though using a video backdrop of the woods was one thing, and it flowed well with the individual trees in the foreground… two massive trees on either side of the stage seemed rather out of place until you realize their primary uses. The tree on stage right was where Milky White the Cow was primarily placed against while the tree on stage left was used to cover up the tower that Rapunzel stayed and later Jack and the Baker would perch while waiting for the giant.
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Review: Beverly Theatre Guild’s Wait Until Dark

Disclaimer: Normally I try not to review shows that I felt was below average (in my eyes), but since someone asked I have to oblige.

Wait Until Dark is probably best known for the 1967 film adaptation of the same name, with Audrey Hepburn as the young blind woman Susy Hendrix. The script itself is a fascinating read with the characters jumping out of the page. However, between myself and several other theatre goers we agree that there has yet to be a community theatre group that effectively creates the suspense necessary for this show.

Unfortunately for the Beverly Theatre Guild, they have not broken that mold. Wait Until Dark is about a recently blind woman, Susy Hendrix, who happens to be in possession of a doll full of drugs. Her husband came in possession of those drugs through a chance encounter with a thief while on flight heading home a few weeks earlier. In the meantime, there are three con-artists who are all gunning for the doll and lure the husband away on a trip of “business” so they could corner the blind woman and steal the doll. With the help of a young neighbor, Susy attempts to even the odds by turning off all the lights in the home… however she neglects one: the refrigerator.

This has all the ingredients for a splendid thriller, so where did it all go wrong?

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