Tag Archives: Jacqueline Schultz

Review: Natural Talent Productions’ Into the Woods

Show: INTO THE WOODS
Music and Lyrics: Stephen Sondheim
Book: James Lapine
Location: Natural Talent Productions
Director: Raegan Kotz
Music Director: Harrison Ashley

Straight from Music Theatre International:

An ambivalent Cinderella? A blood-thirsty Little Red Ridinghood? A Prince Charming with a roving eye? A Witch…who raps? They’re all among the cockeyed characters in James Lapine and Stephen Sondheim’s fractured fairy tale. When a Baker and his Wife learn they’ve been cursed with childlessness by the Witch next door, they embark on a quest for the special objects required to break the spell, swindling, lying to and stealing from Cinderella, Little Red, Rapunzel and Jack (the one who climbed the beanstalk). Everyone’s wish is granted at the end of Act One, but the consequences of their actions return to haunt them later, with disastrous results. What begins a lively irreverent fantasy in the style of The Princess Bride becomes a moving lesson about community responsibility and the stories we tell our children.

Stephen Sondheim’s Into the Woods was Natural Talent Productions third show at the Arcada Theatre (the first two being Little Shop of Horrors and Jesus Christ SuperStar). With the intent of having a Junior version of the show in the mornings and the original production on afternoons and evenings over the course of the weekends… a bit overkill in my opinion but I can understand the intent for the most part. Me and my friends that went with me all kind of agreed that a more effective way of using both the original production and the junior version would be to have the junior version be the matinee shows and the original production be the evening shows all over the course of the weekend. Would seem to make the most sense, but I digress.

Let’s start with the set, I was pleasantly surprised with what they decided to do for set pieces when introducing the characters… rather ingenious in a way. I really liked seeing the curtains open and you see three life-sized books there that actually open up to reveal the actors in their individual scenes, very well done. When the books closed and were moved off to the side I was a bit put off kilter when I saw the set for the actual “woods”. Though using a video backdrop of the woods was one thing, and it flowed well with the individual trees in the foreground… two massive trees on either side of the stage seemed rather out of place until you realize their primary uses. The tree on stage right was where Milky White the Cow was primarily placed against while the tree on stage left was used to cover up the tower that Rapunzel stayed and later Jack and the Baker would perch while waiting for the giant.
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Comparison: TOTH’s Den of Thieves (three weekends later)

So by the time of this writing I have seen seven (and a half) out of eight showings of Bolingbrook’s Theatre-on-the-Hill‘s production of Den of Thieves. One would think that after the first one or two shows, or even three in this case I would be sick of seeing this show already. The truth of the matter is, I’m not.

For someone with a little bit of theatre background, I can honestly say that seeing shows multiple times does not bore me as one would probably expect. More often than not it is a combination of a good script, with fantastic direction, and amazing actors that would typically drive the average theatre goer into seeing a production multiple times.

In the case of Den of Thieves, not only were there three versions of the show to watch but live theatre brings to the table an element of unpredictability that you can’t find anywhere else.

Where else would you find Hugh Jackman blowing up at an audience member for a cell phone going off in the middle of A Steady Rain? Where else could you find mishaps go wrong and watch an actor really show off their acting chops AND improv skills at a drop of a pin?

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Comparison: TOTH’s Den of Thieves (Boochie and Little Tuna)

One of the reasons that I enjoy watching productions at Theatre-on-the-Hill is the cast, more specifically when shows are double cast for whatever reason.

In the case of TOTH’s production of Den of Thieves, two of the roles are split between two actors. The role of the exotic dancer/stripper Boochie is split between newcomer Seneca Lee Evensen and musical theatre veteran Jacqueline Schultz. On the male front the role of Lou “The Little Tuna” Pescatore is split between stage veteran Joseph Mennella and the latest protege, Cameron Nowicki.

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