Tag Archives: Anthony Berg

Reflection: Ken Kaden’s Adaptation of Nick Hornby’s “A Long Way Down”

There are few shows that bring comedy into a serious issue and still resonate with the audience… and yet Ken Kaden has managed to keep that vary spirit of Nick Hornby’s novel “A Long Way Down” via his staged adaptation.

But first a little about “A Long Way Down”:

In his fourth novel, New York Times-bestselling author Nick Hornby mines the hearts and psyches of four lost souls who connect just when they’ve reached the end of the line.

Meet Martin, JJ, Jess, and Maureen. Four people who come together on New Year’s Eve: a former TV talk show host, a musician, a teenage girl, and a mother. Three are British, one is American. They encounter one another on the roof of Topper’s House, a London destination famous as the last stop for those ready to end their lives.

In four distinct and riveting first-person voices, Nick Hornby tells a story of four individuals confronting the limits of choice, circumstance, and their own mortality. This is a tale of connections made and missed, punishing regrets, and the grace of second chances.

Intense, hilarious, provocative, and moving, A Long Way Down is a novel about suicide that is, surprisingly, full of life.

Yep… you read that right, funny but in a very thought provoking way even Ken admits as such via the Facebook invitiation:

Some oddities about “A Long Way Down!” :
1. It’s about suicide, and we hope to make you laugh.
2. It’s a staged reading, and most of the lines are memorized.
3. It’s not a musical, and music is important throughout.
4. One of the characters is famous, and nobody likes him.
5. Admission is free, and we hope you will give generously to a worthy cause.
6. It is first-come, first-served, and we hope to turn no-one away.

So now that you are semi-familiar with the adaptation and realize that it will open this coming weekend, why am I writing about it now?

Simple..

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Review: Wheaton Drama’s Broadway Ballot (Act Two only!)

Show: BROADWAY BALLOT Location: Wheaton Drama
Director: Craig Gustafson

After my whirlwind weekend getaway up north in Minocqua, Wisconsin… I drove straight south back home and realized that if I pushed it, I would make it to see a few of my theatre friends at their Broadway Ballot. Granted I ended up missing the first Act (which had a few shows that I really wanted to see) but seeing the second act provided songs from shows that I am not typically a fan of, but now I would be kind of curious to see.

Below are all the songs that were featured in the second act of the Broadway Ballot at Wheaton Drama. What Wheaton Drama did was put on a kind of revue of a vast variety of Broadway songs from a variety of musicals and asked the audience to decide which shows they would love to see or not care to see at all. Then these ballots are tabulated and presented to the Wheaton Drama monthly meeting and from there they may use the data to decide what musicals to present for future seasons.

Regardless if the data would be used or not, in the end it was a fun revue / production and it helped bring in donations and dollars to the theatre group for their future productions. So all in all a win-win situation for an outsider looking in (aka myself).

From what I understand from those that were part of the production there were twenty-two performers who were singing twenty-six songs and they only had eleven rehearsals to do it. Now coming from someone that has been thrown into the thick of things a week before Opening weekends (including Shakespeare)… I can honestly say that I was expecting nothing less than fun, laughter, and entertainment and this group definitely delivered.

Taking a look at the official Ballot the revue is comprised of songs taken from a vast variety of shows: traditional and non-traditional, well and lesser known. A nice mixed bag with something for everyone to enjoy.
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Review: Natural Talent Productions’ Into the Woods

Show: INTO THE WOODS
Music and Lyrics: Stephen Sondheim
Book: James Lapine
Location: Natural Talent Productions
Director: Raegan Kotz
Music Director: Harrison Ashley

Straight from Music Theatre International:

An ambivalent Cinderella? A blood-thirsty Little Red Ridinghood? A Prince Charming with a roving eye? A Witch…who raps? They’re all among the cockeyed characters in James Lapine and Stephen Sondheim’s fractured fairy tale. When a Baker and his Wife learn they’ve been cursed with childlessness by the Witch next door, they embark on a quest for the special objects required to break the spell, swindling, lying to and stealing from Cinderella, Little Red, Rapunzel and Jack (the one who climbed the beanstalk). Everyone’s wish is granted at the end of Act One, but the consequences of their actions return to haunt them later, with disastrous results. What begins a lively irreverent fantasy in the style of The Princess Bride becomes a moving lesson about community responsibility and the stories we tell our children.

Stephen Sondheim’s Into the Woods was Natural Talent Productions third show at the Arcada Theatre (the first two being Little Shop of Horrors and Jesus Christ SuperStar). With the intent of having a Junior version of the show in the mornings and the original production on afternoons and evenings over the course of the weekends… a bit overkill in my opinion but I can understand the intent for the most part. Me and my friends that went with me all kind of agreed that a more effective way of using both the original production and the junior version would be to have the junior version be the matinee shows and the original production be the evening shows all over the course of the weekend. Would seem to make the most sense, but I digress.

Let’s start with the set, I was pleasantly surprised with what they decided to do for set pieces when introducing the characters… rather ingenious in a way. I really liked seeing the curtains open and you see three life-sized books there that actually open up to reveal the actors in their individual scenes, very well done. When the books closed and were moved off to the side I was a bit put off kilter when I saw the set for the actual “woods”. Though using a video backdrop of the woods was one thing, and it flowed well with the individual trees in the foreground… two massive trees on either side of the stage seemed rather out of place until you realize their primary uses. The tree on stage right was where Milky White the Cow was primarily placed against while the tree on stage left was used to cover up the tower that Rapunzel stayed and later Jack and the Baker would perch while waiting for the giant.
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